The 30 day Folding Challenge Part 4

My productivity for this challenge has really slowed over the last few weeks because I treated myself to taking Fiona Duthie’s Felt Illuminated online course. While it has been a substantial time (and financial) investment it has already sent my thoughts off in new directions. Some of these ideas involve how I can combine paper in my felted sculptures but also wondering if I can also illuminate some of these folded structures too….

Spoiler alert! I am definitely going to finish this 30 day challenge, but not all of the days will be consecutive πŸ™‚

Day 22

Revisiting the Kaleidocyle designs from Day 19 to see if I could make a cardboard one that turns like the felted ones do. This one was double the length of the first paper kaleidocycle attempt. It cycles really easily but doesn’t look as pretty when folded up, perhaps it needs an extra segment, or two?

Day 23

Inspired by Fiona’s Felt Illuminated class I tried using paper in place of some wool layers, this first one wasn’t too successful, the area where there was just paper and no wool became extremely fragile and limited how much I could full the piece.

Day 24

Trying again, but this time cutting the paper where I wanted to place the folds. This piece was much more successful, although I could definitely full this tiny bowl some more. I have added a few stitches at the top of the pleats for security but the paper in this bowl allows it to keep its shape without them.

Day 25

While searching for origami books I found another awesome book in the Auckland Library catalogue: Folding Techniques for Designers From Sheet to Form by Paul Jackson.

He makes no apologies for starting with some really basic shapes and forms but they get more complex as you progress through the book, this is where the clear diagrams / maps he provides invaluable.

This shape naturally wanted to form a bridge or trough depending on which way up it was placed

Day 26

I’m curious to see how this form will behave if the pattern is repeated?

Day 27

What if I used a 5 point symmetry instead of 4?

Day 28

I love the architecture of this form, it looks lovely from all angles, I’m wondering if I can make it into a bowl form…

Day 29

This one is screaming, “Christmas decoration!” at me, I imagine the felted version of this one will involve some bling πŸ™‚

Day 30

I started playing with the shape from Day 29, exploring what would happen if I reversed some of the folds, so mountain folds became valley folds…

Unfortunately someone else requested this book before I could get any further, so I could not try out all the forms I wanted to before I had to return it. I will borrow it again though, it is an inspiring book!

While my original 30 day challenge complete, this idea still has lots of mileage left in it and I plan to continue exploring, especially taking more of the paper sculptures into fibre… Watch this space!

Have you been playing along? If so, please share where your journey is taking you, links in the comments to a FB page, IG or blog post should work if you have any images.

The 30 day Folding Challenge Part 3

Day 16

Carrying on with the pentagons from my last post… what if I stacked increasingly smaller pentagons inside each other?

I felted each pentagon separately and then assembled them like a Russian doll, starting with the smallest in the centre, using loose stitches to hold the “petals” together.

Day 17

I took this book out at the library, it contains some interesting shapes but the instructions weren’t all that helpful, they seemed to be missing quite a few steps and while I love a puzzle, I’m afraid I just couldn’t figure most of the pieces out.

Kunihiko did introduce me to an interesting concept that rang true though – anti-origami. This is a branch of origami where you are allowed to use tools and even (heaven forbid) glue! Breaking a few rules sounds liberating and fun! πŸ™‚

This was the first piece I tried to make from this book:

And (I’m ashamed to say) this is what I produced:

Moving swiftly on from my embarrassing fail I thought the Greek ball looked intriguing. After a couple of failed attempts using Kunihiko’s instructions I turned to Google for help.

Et Voila! How did we ever cope before the internet?!

Then I realised (after several hours of research and wrestling with paper strips) that neither of these projects met my challenge brief – To explore a different folded / pleated shape every day

However, I’m still intrigued by the challenge of trying to make a Greek ball in a seamless way in wet felt.

Going back to the pile of pentagons on my desk… I wondered what if I moved the semicircle folds so they sit over the points of the pentagon?

Admittedly, this way up it doesn’t look significantly different from the Day 11 pentagons.

However, this way up you can see the points are more elevated. I’m undecided if this will be significant but I like this shape.

Day 18

After my first blog post, Henny van Tussenbroek (an extremely talented and knowledgeable felt artist from the Netherlands whose name you might also recognise from her work with the IFA) got in touch. It turns out Andrea Noeske-Porada was not the inventor of the kaleidocylce, she was (one of?) the first to interpret Escher’s design into felt. This is Henny’s book.

I searched online and discovered this book has been translated into several languages and has seen multiple editions. After feeling dismayed that all sellers were asking at least $100+P&P I was overjoyed to discover a copy for just $8NZ, I rather skeptically clicked the link expecting to discover a $100 P&P fee, but no, it really was in NZ and only $4 postage, I literally pounced on the “buy me” button!

It arrived this week and while it is quite a slim manuscript, it really packs a punch for its size. It is nearly 50 years old and it reminded me of reading a scientific journals with its formal style and constant references to Fig.X πŸ™‚

It covers a variety of topics, including the all important plan for a kaleidocycle, but also several geometric forms, different shaped kaleidocyles and something I wasn’t expecting; considerations for repeating patterns to seamlessly decorate them too.

Escher died before I was born but he sounds like a really interesting person – this book describes how he created a space where art met mathematics and geometry and how he coaxed them to become entwined to mind-boggling effect.

I thought I would attempt one of the “simpler” patterns first – an icosohedron (a hollow form with 20 triangular faces):

I now have an internal conflict…. part of me says this form should be easy to recreate in felt using a book resist but as I turn the shape over and over in my hand looking at how the angles of each face change the inner engineer still needs to be convinced….

I need to let this idea percolate for a while.

Day 19

I thought I would try one of Escher’s “proper” Kaleidocycles from a pattern in the book, this is the hexagonal kaleidocycle:

I was a little surprised to find it would not turn / rotate like my felted version does, this is as far as it will go before it feels like the card will tear:

Looking more closely at my felted version I see it has 14 segments compared 6 segments in this card version, I’m not sure it that is why it doesn’t turn or if it is due to the rigidity of the card compared the much more flexible felt? I predict a much larger card version is coming….

Day 20

I revisited a couple of felt pieces, wanting to play with them a little more… Adding a felted ball and a few stitches to the Day 14 pentagon:

Day 21

Adding some stitches to the pentagon with curved pleats from Day 15.