Adventurous Drawing and Colour with Mark Cazalet

I feel blessed to have spent the bank holiday weekend drawing in the beautiful landscapes around West Dean in  glorious sunshine. Mark Cazalet was an excellent tutor, I signed up for this course hoping to come away using colour in a more considered way and he did not disappoint. He set us a number of exercises over the 3 days including using cool colours on warm grounds (papers) and vice versa, exploring the effects of black versus cream grounds and seeing the colours around us in a much less literal way.

The first drawing was made in the gardens, Mark suggested I redraw it from my original drawing without looking at the source.

 

It is interesting how the colours are so much more vibrant…

 

This one was a 10 minute sketch, playing with different colours to give and impression of depth, light and shade:

 

This drawing was exploring the combination of warm and cool colours together on a neutral ground:

 

I had 10 minutes before we were expected to pack up and return to the studio so I did this one just for fun:

We were asked to create some sketches of abstract forms  from what we saw in the gardens, from those I repeated the same design several times on different coloured grounds, it is curious how the colour of the paper has such a an impact on the feel and tone of the drawing.

 

 

These last two drawings are my least favourite but it was an interesting exercise, the first was warm colours on a cool ground:

And cool colours on a warm ground:

 

Now it is back to work for me! Enrolment for the new online felted bag class closes on the 22nd and the class starts in earnest on the 25th, I am still doing the final edits on the tutorials while trying to prepare for the Surrey Open Studios event beginning on June 2nd it is going to be a busy few weeks but both are projects I am really excited to be taking part in, if you would like to join in the fun please follow these links:

Felted bags online class: link

Surrey Open Studios: link

 

Design Trust Workshop

This post is not directly textile related but I hope it will be useful for anyone wanting to market and sell their hand-made work.

Last week I attended a workshop with Patricia van den Akker from the Design Trust. The main focus was on marketing and was a godsend for me, I have read all the articles and often thought, “yes, makes sense, I should do that” but never actually did it! I am a terrible procrastinator and really need someone standing over me to make sure I do the difficult / less fun stuff like writing a business plan (not as boring as it sounds), working out what my brand is and who my customers are.

While I can’t cover the whole workshop in one blog post I hope you will find the following highlights a useful place to start… As Patricia said at the start of her workshop, “this is a workshop, and you will be doing the work!” 🙂

Have you got pen and paper ready? Try to answer each question before you move onto the next. Let’s get started….

What is your business dream?

What does success look like for you? Holidays in the sun every year, time to spend with your children/family, earning a specific salary, winning a design award, having a team of employees etc.

Think about why you chose your craft. Who are your role models? Why do you look up to them, what have they achieved?

What do you want to be known for? What would you like to be said in your eulogy? What is most important to you?

Marketing

This is communicating the value of your product for the purpose of selling. Try not to think of it as advertising, more as a conversation with potential customers and clients.

Marketing has 3 inter-related purposes:

  • increase your profile
  • increase your credibility (trust)
  • brings you clients

Why do you do what you do? Is it just art therapy for you or do you have a wider philosophy you want to share with the world?

Effective marketing requires that you understand your client’s needs when designing your products, what problem are you solving / need are you satisfying for them? What makes you different from your competition?

Who is your ideal client? There may be several different people and it can help to write a profile for each, think about:

  • their age
  • gender
  • who lives with them
  • do they work?
  • hobbies and interests
  • where do they go on holiday?
  • why do they buy your product?

Brand Identity

Have you ever looked at a piece of work and though, “that was made by so-n-so”? Or described something as being “very Warhol”, you have unwittingly absorbed brand identities. If you want your work to be recognisable it helps to think about what make your work look or feel different to other crafts(wo)men in your field. Take a look at the photos in your online shop or create a gallery of your work and try to come up with 5 words to describe your collection. It helps to ask friends an family for their input on this, if you are selling face to face you could even ask your customers which words they would pick.

You might end up with a description like, “Bright, flowery and floaty scarves” or, “calming and expansive textile landscapes”, this is your brand identity.

Try to be consistent with the brand image you present, use the same image and text on website banners, business cards, stationery. Is your website banner / business card image and text consistent the 5 words you came up with from looking at your gallery?

Make a Plan!

What business (and personal) goals do your want to achieve this year? Try to be specific, if it is a salary – how much and by when? What sales would you need to make to take that salary? If it is a holiday, where? how long for? when? If it is to make sales, how many and by when?

Then break your goal down into monthly targets, what needs to happen each month to achieve your goal by the date you set?

Review your targets/goals at least once a month and look for alternative courses of action if you are not on target.

If you have an Etsy shop, read the Etsy Handbook, Patricia recommended 2 hours of reading and 2 hours of action per week, personally I am finding I need to take action as I read each suggestion, and I am spending 2 min reading then 2 hours updating my listings!

Patricia also offered a reality check about how much time we should expect to spend on making vs marketing. As a new designer-maker you should expect your time to be spent:

40% on marketing

40% on making

10% research and professional development

10% admin

Design Trust

There is a ton of really useful information on the Design Trust web site (start in the “free resources” section), I can thoroughly recommend it, but be prepared to stop and answer each question posed, taking notes as you go, before moving onto the next paragraph, you will get much more out of the site if you really engage with it and stop to think about what each question means for you and your business.

These are just my highlights from the workshop, if you get the chance to work with Patricia, take it, she manages to make marketing fun and the face to face interaction makes it less easy to gloss over the harder the questions and only focus on what you are already good at!

Do you have any tips on marketing or selling your work?

 

I feel very conscious that this post is all words and no pictures so here is the finished “Michael” wall hanging, finally framed and ready for sale this week 🙂

Metamorphosis

Just as a tadpole metamorphoses into a frog these screen prints have been evolving over the last two weeks to reveal a little Costa Rican, Red-eyed Tree Frog (Agalychnis callidryas).

I made a bit of a boob with this first set of prints, can you guess what it was?

This next series of prints should make my error a bit more obvious…

The orange is nowhere near as fluorescent in real life, the iphone doesn’t have a white balance function and seems to struggle with some colours.

Have you spotted the difference?

I used the negative instead of the positive stencil on the first layer of the first print, this made all the areas that should have been white a pale green. I cursed my stupidity at the time, even after I had written a note to myself about which stencil to use, but looking at them now I rather like the more subtle balance of colours in the first print, what do you think?

Sketchbook challenge

For a long time, I have known I really should be spending more time in my sketchbooks, my use of them tends to be very erratic, I can spend many hours in them one week and then not open them for a couple of weeks, very naughty! 🙂

To remedy my lackadaisical attitude I signed up to the 2018 sketchbook challenge with Magenta Sky, although it started in January you can start it whenever you like, if you would like to play along, you can sign up to receive daily prompts here.

Here are the first few days of my challenge, I will continue to post them periodically on here but if you want to follow them in real time I will be posting daily on Instagram (Teriberrytextiles) and Facebook (https://www.facebook.com/teriberrytextiles/).

Day 1: Pattern

 

 

Day 2: Everyday object

 

Day 3: Leaves

 

 

 

Day 4: Circles

Day5: Straight lines and angles

 

 

 

 

Day 6: Fruit and Veg

 

 

 

 

 

Bags Galore!

Over the past year I have been working on a series of bag tutorials for the Felting and FIber Studio online bag class that will begin on May 24th. I am so excited this long-awaited class is almost here! 🙂

The first week will cover the techniques to make a spectacles/phone/pencil case that uses only felt for the closure (no buttons or magnetic snaps), to date most of my pouches have been cats with bling, so this weekend I have been making a giraffe to illustrate that you can choose any animal you wish, it could be beloved pet, a friend’s pet (they make very personal gifts), a wild animal, or even an imaginary monster, the choice is yours! 🙂

In each case below, the tongue of the animal forms the tab that closes the flap over the pouch opening.

 

 

The second week will be about making a bag with adjustable straps and internal pockets, adding a magnetic closure and how to shape the bag so it has a flat base that will sit on the ground without falling over.

 

Finally in week 3 we will look at how make a backback with large internal compartments and multiple pockets, choosing the hardware and making adjustable straps from either canvas webbing or wool. Consideration will be given on how to make large bags durable enough to carry a heavy weight without being heavy themselves.

The red backpack is my bag, it gets daily abuse from me and this is what it looks like after 6 months, they are pretty sturdy bags!

The pale green/yellow slit you can see on the back of the green backpack is a large pocket, I will add a zip when I get a spare hour 🙂

The great benefit of online classes is that you can work at your own pace and at times that fit in around you and your other commitments. Although the class nominally runs for 3 weeks, the forum will be open and I will be there to offer support  and answer questions for an additional 2 weeks in case you are unable to make a bag one week or would like to make more than 3 bags and share photos of your wonderful creations with the rest of the class. 🙂

The PDF tutorials from each week will be yours to keep after the class has finished.

For more information and to register your interest in the bag class please follow this link and complete the contact form at the bottom of the page. I will be in touch by email just before registration opens at the beginning of May.

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